It's all still in my head right now, ideas swimming around in free-form, but I am beginning to piece to together a connection between my grandparents' escape from Nazi occupation in 1939, the passing down of intergenerational trauma, and my own, reoccurring, descents into victimization and self-punishment.

My mom has a tendency to brush it off and change the subject when I start to talk about my link to my paternal grandparents' escape from Nazi Germany. Maybe she feels it's a part of my identity that has absolutely nothing to do with her, and maybe she doesn't like that. Perhaps it's just a topic that causes her eyes to glaze over, the way mine do when she begins another diatribe about the state of the healthcare system. 

But I don't think I should dismiss this connection I feel, this need to explore this part of my family's history, and how it has contributed to who I am, both genetically and emotionally. I wonder, is progeny responsible for the indefinable guilt I have experienced since early childhood? Do two generations of repressed trauma and secrecy have a noticeable affect on the third generation?

I've always had this bizarre sense, way back in the depths of my consciousness (however, it is a conscious awareness), that when I am out on the streets, dating ex-cons and murderers, taking drugs, and allowing myself to be abused in various ways, that I am some kind of vigilante investigative reporter, tracking down stories for which most journalists would not risk their lives or reputations. The darkness of the world has always compelled me to make sense of it, to understand the inner workings of said darkness on an individual level. Through understanding a few specific people, I am gaining a generalized education in the development of dysfunction, addiction, and learned (as opposed to instinctual) fear.

I wish I knew my grandparents' story better than I do. I know only surface level information, little more than what is available through a Google search, with justifiable reason. My grandparents, Henry and Elly Glass, were miniature-sized couple who walked slow, were perpetually cold due to prescribed blood-thinning medication intended to counteract years of Elly's Viennese cooking. Despite decades in the U.S., their accents were as heavy as they were precious and they, in true European fashion, had complete outfits for every occasion. Neither owned a single garment made from denim, and they considered peanut butter to be proletariat. Charming as they wereCulturally, we have accepted Holocaust survivors' reluctance to unveil the atrocities they have witnessed. My Jewish heritage was not revealed to me until the summer before my junior year of college. Revealed to me so casually, in passing, and as if the information had always been common knowledge, I was stunned. It's funny to me now, looking back, how plainly it had been presented to me throughout my life. Yet, as casually as it was mentioned to me that August day of 2003, the evidence to back it up was the area of contention, the question that could not be asked directly of either of my grandparents. Also, as I had always been aware of this vague family history, I'd been equally aware that it was not appropriate to ask them about it.

So how do my holocaust survivor grandparents fit into the story of my own life, filled with dangerous characters, illegal substances, and willing footsteps towards complete submergence into anomie? My grandparents, from such a completely different time and place that even with what they had to endure during Hitler's regime, I believe they would've been devastated to learn of the places I had gone willingly, the chemicals I ingested, and the men I allowed to invade my aura.

When I think about what they went through, the adversity they had to overcome, how they had to leave their country, lose friends and family, suffer who knows what kinds of personal violations in order to secure their freedom, I am ashamed of myself. What a complete lack of respect I've had for my family's history.

My grandfather always wanted me to pursue the arts. In his opinion, I should have focused on fashion design. Well, I think that would've been ab-fab, but I was too impatient to learn how to sew. I was also too impatient to learn to play the guitar, deeming null my prospect of becoming the next rock god(dess). I considered other options in the arts, such as painting, but found as a teenager unwilling to get a full-time job for any longer than six months, the cost of materials was a major deterrent. Photography offered even more absurd financial woes.It wasn't that I chose writing as a career path because of it's low overhead, I just got lucky. Writing requires no accompaniment, or special ability other than typing (but even that I postponed until my mid-twenties, opting rather for spiral bound notebook and decent quality pen).

Am I reaching here? Am I wanting to make something out of nothing because of the identity it might provide me? Probably. But I won't know what I'm searching for unless I travel down a few dead ends along the way. Too bad life doesn't have a GPS system. I guess some questions have to be important enough to be worth searching for answers, and getting hopelessly lost along the way. 
 
Below is a flash version of the anthology from my memoir class at UW. You may recognize the name of one of the authors.
And here's an "oldie but goodie" that I thought I'd throw in for comic relief.